Blog | Eric Hendel

(Cover Designer: Kelli McAdams ) Jumpnauts is exactly the opposite of the sort of novel which I expected Hao Jingfang to write, initially in a bad way, but also ultimately in a good one. Hao's debut novel, Vagabonds , was an extraordinarily subtle work of science fiction. Taking the form of a slow-paced and contemplative narrative, that earlier book detailed the deceptively complex story of how two seemingly analogous characters from human settlements on Earth and Mars voyaged to one another's worlds, only to come away from the experience with wildly contradictory views not of the planets they have just visited, but instead their respective homes. Vagabonds represented a novel whose dense and intricate plot wove together the lives of multiple generations of individuals, all of whom struggled to navigate an enduring political and social conflict requiring they confront the weighty question of how utopian societies should define themselves. By contrast, Jumpnauts ...

Arrival by Ted Chiang

The most striking quality of the stories appearing in Ted Chiang's anthology Arrival (which was originally published in 2002 under the title Stories of Your Life and Others ) is the author's ability to use fiction as a rhetorical device. By saying this I don't mean that Chiang's work is comprised only of messages which he seeks to impart upon his audience, or even that his stories explicitly take the form of moral/ethical parables aimed at demonstrating some kind of lesson to his readers. Rather, it's more that throughout this collection, Chiang produces fiction which often strives to explore the tension that exists between two or more subtly contradictory ideas, examining various perspectives on his subjects through the medium of narrative. Via stories as diverse as a very contemporary-minded retelling of a biblical parable, an alien first-contact story that touches on themes of predestination and free will, and a fictional documentary about the ethics of limiti...

The Lathe of Heaven by Ursula K. Le Guin

(Cover Artist: Ernst Haas) There's a way that Ursula Le Guin's 1971 novel The Lathe of Heaven is often described, and I want to start this review by talking about why this is a summary of this book which I disagree with. Generally, the way I've seen The Lathe of Heaven characterized is that it is the story of a man named George Orr, who believes that everything he dreams becomes real. Terrified of this power, George is ultimately assigned therapy with a psychiatrist named William Haber, who sets out to cure George of these (supposedly) delusional beliefs in his brain's ability to change the world. In time however Haber reveals himself to actually be a mad scientist with a god complex--a man obsessed with finding a way to manipulate the reality-bending power of George's dreams so as to remake the world in his own image. Soon, George realizes that he must do whatever he can to keep the power of his dreams from Haber's control, and in so doing protect the univ...

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